拾乐园 Paradise Found  
#33  Re: 亨德尔的清唱剧             Go Back
更短的片段:

        

#32  Re: 亨德尔的清唱剧             Go Back

BBB wrote: (6/10/2017 21:56)
这部清唱剧的录音听过一两次,觉得挺好听的。亨德尔的音乐是很好听,就是有点长,要有闲心慢慢品味。


真的很好听。下面这个链接是全剧的完整版录音,前几天的那个是适合音乐会的“摘要”版。在熟悉了摘要版后再扩到完整版,一点都不觉得陌生和拖沓冗长。正好相反,亨德尔这近两个小时一点都不出名的清唱剧比他的《弥赛亚》更能让人接受。在上星期五无意发现后,现在快一个星期了,这几天我只要坐在电脑前,就在听,估计还可以听一两个星期到完全熟悉后再停止。

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#31  Re: 亨德尔的清唱剧             Go Back
这部清唱剧的录音听过一两次,觉得挺好听的。亨德尔的音乐是很好听,就是有点长,要有闲心慢慢品味。


和谈 wrote: (6/10/2017 12:11)
《快乐、哀愁和中庸》(L'Allegro, il Penseroso ed il Moderato),HWV55[1],是德国作曲家韩德尔于1740年完成的合唱剧乐。在韩德尔全集中,本曲被修入于神剧类别,但是全套作品却没有任何和圣经内容相关的题裁或经文。反而歌词则完全取材自英国大文豪米尔顿的两首于1641年所创作的长篇“双子”田园诗《快乐的人》(意大利语:L'Allegro)和《哀愁的人》(意大利语:Il Penseroso,亦可译为“忧郁的人”),因此后世亦称本曲为一首田园式颂歌(Pastoral Ode)。

创作本曲时,韩德尔邀请了他的赞助人兼诗人查尔斯·詹南斯(Charles Jennens)把米尔顿的诗篇整理。詹南斯一方面把两诗的内容交替运用外,亦在部分地方加入自己的诗篇,并将这些诗称为《中庸的人》(意大利语:il Moderato),詹南斯认为《中庸的人》正好是两个极端之间的一个平衡点。结果三首篇的名称串连起来,便成为了新乐曲的标题。
韩德尔于1740年1月19日动笔,2月4日完稿。前后只花了17日的时间,就将这三幕的剧作完成。[3]并于2月27日在伦敦皇家林肯营田剧场(Royal Theatre of Lincoln's Inn Fields)内首演。

摘自维基



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自得其乐
        

#30  Re: 亨德尔的清唱剧             Go Back
《快乐、哀愁和中庸》(L'Allegro, il Penseroso ed il Moderato),HWV55[1],是德国作曲家韩德尔于1740年完成的合唱剧乐。在韩德尔全集中,本曲被修入于神剧类别,但是全套作品却没有任何和圣经内容相关的题裁或经文。反而歌词则完全取材自英国大文豪米尔顿的两首于1641年所创作的长篇“双子”田园诗《快乐的人》(意大利语:L'Allegro)和《哀愁的人》(意大利语:Il Penseroso,亦可译为“忧郁的人”),因此后世亦称本曲为一首田园式颂歌(Pastoral Ode)。

创作本曲时,韩德尔邀请了他的赞助人兼诗人查尔斯·詹南斯(Charles Jennens)把米尔顿的诗篇整理。詹南斯一方面把两诗的内容交替运用外,亦在部分地方加入自己的诗篇,并将这些诗称为《中庸的人》(意大利语:il Moderato),詹南斯认为《中庸的人》正好是两个极端之间的一个平衡点。结果三首篇的名称串连起来,便成为了新乐曲的标题。
韩德尔于1740年1月19日动笔,2月4日完稿。前后只花了17日的时间,就将这三幕的剧作完成。[3]并于2月27日在伦敦皇家林肯营田剧场(Royal Theatre of Lincoln's Inn Fields)内首演。

摘自维基




Last modified on 07/03/17 10:55
        

#29  Re: 亨德尔的清唱剧             Go Back
G.F. HÄNDEL: "The ways of Zion do mourn", Funeral Anthem for Queen Caroline, HWV 264 by Les Arts Florissants, William Christie.

        

#28  Re: 亨德尔的清唱剧             Go Back
        

#27  Re: 亨德尔的清唱剧             Go Back
前面几个链接都失效了,重新上一个。

        

#26  Re: 亨德尔的清唱剧             Go Back
        

#25  亨德尔的清唱剧             Go Back
https://&feature=youtu.be&src_vid=xgtRjiywS20&feature=iv&annotation_id=annotation_322902073

https://
        

#24  Re: 为亨德尔的清唱剧开一条线             Go Back
http://my.cnd.org/modules/newbb/viewtopic.php?viewmode=flat&order=1&topic_id=87231&forum=2

https://


thesunlover wrote: (5/17/2013 21:6)
亨德尔很伟大。我想多了解、发现他的好作品。谢谢!



Last modified on 09/07/14 23:52
        

#23  亨德尔的清唱剧             Go Back
From Wikipedia:

Giulio Cesare in Egitto (Julius Caesar in Egypt, HWV 17), commonly known simply as Giulio Cesare, is an Italian opera (dramma per musica) in three acts composed for the Royal Academy of Music by George Frideric Handel in 1724. The libretto was written by Nicola Francesco Haym who used an earlier libretto by Giacomo Francesco Bussani, which had been set to music by Antonio Sartorio (1676).

It was first performed at the King's Theatre in Haymarket, London on 20 February 1724. The opera was an immediate success. Handel revived it (with changes) in 1725, 1730, and 1732; it was also performed in Paris, Hamburg, and Brunswick. Like Handel's other works in the opera seria genre, Giulio Cesare fell into obscurity in the 19th century.

The roles of Cesare and Cleopatra, sung by the castrato Senesino and famous soprano Francesca Cuzzoni respectively, and which encompass eight arias and two recitatives accompagnati each, make full use of the vocal capabilities of the singers. Cornelia and Sesto are more static characters because they are completely taken by their primary emotions, she with pain because of her husband's death and constantly constrained to defend herself from the advances of Achilla and Tolomeo, and he consumed by vengeance for his father's death.

Cleopatra, on the other hand, is a multifaceted character: she uses at first her womanly wiles to seduce Cesare and gain the throne of Egypt, and then becomes totally engaged in the love affair with Cesare. She has great arias of immense dramatic intensity Se pietà di me non senti (II, 8) and Piangerò la sorte mia (III, 3). Her sensual character is described magnificently in the aria V'adoro, pupille, in which Cleopatra, in the guise of Lidia, appears to Cesare surrounded by the Muses of Parnassus (II, 2). This number calls for two orchestras: one is an ensemble scene with strings with sordino, oboe, tiorba, harp, bassoons and viola da gamba concertante.

Curio and Nireno do not get any arias in the original version, only singing recitatives, though they take part in the first and final choruses. However, Handel composed an aria for Nireno for a later revival in 1730.

In the 20th century, the opera was revived (in heavily altered form – reorchestrated and revamped with the male castrato roles transposed down for a baritone, tenor or bass) in Göttingen in 1922 by the Handel enthusiast Oskar Hagen. Hans Knappertsbusch and Karl Böhm both conducted it in Munich in 1923, and its first American performance took place at the Smith College of Music in Northampton,

Massachusetts, in 1927. The first British revival of a Handel opera was the staging of Giulio Cesare at the Scala Theatre in London in 1930, by the London Festival Opera Company, singing in English. The young Herbert von Karajan conducted a production in Ulm in 1933. It has subsequently proven to be by far the most popular of Handel's operas, with more than two hundred productions in many countries.
In modern productions, the title role, written for a castrato, is sung by a contralto, mezzo-soprano, or, more frequently in recent years, a countertenor. The roles of Tolomeo and Nireno are normally sung by countertenors. The role of Sesto, written for a soprano, is now usually sung by a mezzo-soprano.
The work is considered by many to be Handel's finest Italian opera, possibly even the best in the history of opera seria. It is admired for its superb vocal writing, its dramatic impact, and its deft orchestral arrangements.

Giulio Cesare is now regularly performed.












Last modified on 01/04/14 15:54
        

#22  Re: 为亨德尔的清唱剧开一条线             Go Back

云天 wrote: (12/22/2013 23:2)

网上没看到译文。 随手涂译:



谢谢。

        

#21  Re: 为亨德尔的清唱剧开一条线             Go Back

和谈 wrote: (12/19/2013 16:12)





网上没看到译文。 随手涂译:


Total Eclipse (from Samson by G.F. Handel)

全蚀

Total eclipse! No sun, no moon,
All dark, all dark amidst the blaze of noon.

全蚀!没有太阳,没有月亮
漆黑一片, 炎炎正午漆黑一片

Oh glorious light, no cheering ray
To glad my eyes with welcome day.

啊辉煌之光,没有欢快之光
以可爱的白昼愉悦我的双眼

Total eclipse! No sun, no moon,
All dark amidst the blaze of noon.

全蚀!没有太阳,没有月亮
漆黑一片, 炎炎正午漆黑一片

Why thus deprived thy prime decree?
Sun, moon and stars are dark to me.

为什么免除你的首要法令?
我看不见太阳月亮和星星。


Last modified on 12/23/13 03:08
        



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