In the wan light of retail desperation, it's nearly impossible to spot a gem amid the acres of dreck: Eddie Money CDs, anyone? The soundtrack of "Snakes on a Plane"? Boxed sets of "Captain and Tennille" DVDs? Get there before it's too late.
Too late, though, is almost here. Tower Records is closing, and as the signs say, everything must go. The whole chain is shutting, not just this thoroughly ravaged store off the Pike in Rockville. A liquidator is peddling the stock left in Tower's 85 or so remaining stores (five locally), and by Christmas, even Tower's desiccated carcass will be dust.
All of it is going, of course -- not just Tower, but the record store culture that Tower embodied. Anything that can be squeezed down to ones and zeros and moved around at the speed of electrons doesn't have to be stacked in plastic cases, shoved into bins and splayed over aisles under fluorescent lights anymore. All of it's going online.
And isn't that better? Doesn't the digital universe give anyone with a computer and a credit card wider and speedier access to more music than any Tower could ever stock? Isn't it better when you never have to find a parking space or deal with one of those haughty, green-haired clerks who always gave your Beach Boys and show-tune selections a look that said, "Wow, you are such a geezer"?
No, it isn't. Not exactly.
There will never be the same sense of wonder on iTunes, the same joy of discovery and intoxicating power of musical abundance that hit you every time you walked into even the dinkiest Tower or any comparable record store. There it lay before you -- unheard! unseen! unfondled! -- potential treasures beckoning from row upon row of wooden bins.
Clicking a mouse cannot replace the singular ritual act of pawing through those big bins to find . . . well, you never knew what. And that was the point. Skilled veterans could flip through dozens of records -- "records"? Ha-ha, Grandpa! -- with knowing hands and studious concentration while the rest of us dawdled over a particularly alluring piece of cover art. Working your way down the alphabet (Abba, the Beatles, the Cure, etc.) could take the better part of an afternoon.
Tower facilitated all this with spacious, high-ceilinged stores that seemed to stock every note recorded in the preceding decade. Just when you thought you owned everything by [insert name of favorite artist], Tower had something you'd never heard of ("Whoa, when did Zeppelin do that?"). It had obscure imports, generous helpings of jazz, blues and classical.
I hear the music geeks whining: Tower wasn't the cheapest place around, and it often employed contemptuous or conveniently nonexistent salespeople. It also pushed the same Top 40 pap as the marts (Wal- and K), the big boxes (Best Buy, Barnes & Noble, etc.) and the surviving mall chain stores. Yeah, yeah and yeah. And so what?